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Cake day: June 13th, 2023

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  • But without that explanation, the claim that the Indonesia site supports the Africa hypothesis isn’t true—and it actually reinforces the same Eurocentrism that motivates hypothesis 2.

    On the face of it, the claim that representational art originated wherever we find the earliest evidence of it seems innocent enough. And if you really believe it innocently, the Indonesia site doesn’t affect your belief one way or the other. It’s only if you had an underlying Eurocentric motive for believing the earliest-evidence theory that the Indonesia site motivates you to switch to the alternative theory (which at least still credits the direct ancestors of Europeans with the invention of art). So saying the new site supports the Africa theory is taking for granted the Eurocentric worldview that would motivate that switch.



  • Sure, the African-origin hypothesis is plausible—IMO it was the obvious answer all along. But taking the Indonesian art as “reinforcement” of that hypothesis requires a bit of a logical leap.

    Consider the two traditional hypotheses:

    1. Representational art originated in Africa with the ancestors of modern humans, and spread with their migrations; or

    2. Representational art originated where we find the earliest examples of it, and spread from there via cultural diffusion.

    Hypothesis 2 was considered plausible as long as the earliest examples were from Europe. Finding earlier art in Indonesia doesn’t inherently support hypothesis 1 over hypothesis 2 unless you combine it with the assumption that cultural innovations spreading from Europe is more plausible than innovations spreading from Indonesia. But that assumption isn’t even addressed—it’s just silently taken for granted.








  • I’m sure the thinking is that art appearing in both Europe and Indonesia suggests that they both inherited it from their common ancestors in Africa.

    But when the earliest art was thought to have been European, the idea that art originated in Europe and spread from there via cultural diffusion was considered a reasonable hypothesis. Now that earlier art has been found outside Europe, the flip scenario—that art spread from Indonesia to Europe via cultural diffusion instead of shared ancestry—isn’t even mentioned.