• 668 Posts
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Joined 1 year ago
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Cake day: June 14th, 2023

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  • One of the things I was most curious about with this series was the animation style they were choosing to use. Hiroshi Nagahama used rotoscoping to make Flowers of Evil, but that doesn’t seem to be the case here. The mouth movements would have been better - they actually look pretty rough in spots here. Motion capture or vtuber tech maybe?



  • I am one of those obese people, and it seems so achingly unfair.

    I am an active person. I eat similar foods and quantities as my peers, with drastically different results. I drink water, not soda or juice. I basically stopped drinking coffee, but when I did, it was always plain black. The only weight loss success I’ve had was spending a year on a keto diet, which my doctor swears was slowly killing me (salt, sulfites, etc). My doctor says I have mild hypothyroidism, but not bad enough to call for treatment.

    I have been overweight my entire life, living in a world that fundamentally believes that this is entirely my fault. I don’t know how to convey the hopelessness that people like me have to live with, and the resolve that it requires to keep making healthy choices in spite of it, and never seeing beneficial results.

    I don’t know how to get off this ride. All I ask is for other people to not believe I am a lazy shameless grotesque person for being forced to ride it.


  • I’ve been following this series. Queer culture varies from region to region, so it was really tricky to watch the show without projecting the concept of a western trans identity onto the main character.

    It took the full length of the first season before Makoto articulates his identity (genderqueer from what I can surmise - a man with he/him pronouns who prefers feminine presentation… mostly), with the option floated to him of being able to live “as a woman,” but with no specifics given to the cultural context of that phrase.

    It would be really cool to get commentary on this show from Japanese queer folks who can speak to the language choices and cultural context behind this show.

    I’m waaaay more interested in that than a movie.





  • Ugh, list-icles. Also, this must be some strange new definition of “cult classic” that I’m not aware of.

    • The Fall (2006)
    • Barb and Star Go to Vista Del Mar (2021)
    • The People’s Joker (2022)
    • Ginger Snaps (2000)
    • Hedwig and the Angry Inch (2001)
    • Mulholland Drive (2001)
    • Ghost World (2001)
    • Session 9 (2001)
    • Super Troopers (2001)
    • Wet Hot American Summer (2001)
    • Paid in Full (2002)
    • Hundreds of Beavers (2022)
    • Skinamarink (2022)
    • Bubba Ho-Tep (2002)
    • Oldboy (2003)
    • Tiptoes (2003)
    • Beau is Afraid (2023)
    • American Splendor (2003)
    • The Room (2003)
    • Harold and Kumar Go to White Castle (2004)
    • Sisu (2022)
    • Birth (2004)
    • Maqbool (2004)
    • Madame Web (2024)
    • Brick (2005)
    • Kiss Kiss Bang Bang (2005)
    • Lords of Dogtown (2005)
    • Black Snake Moan (2006)
    • The Wicker Man (2006)
    • Sunshine (2007)
    • Timecrimes (2007)
    • Mr. Nobody (2009)
    • Jennifer’s Body (2009)
    • Lisa Frankenstein (2024)
    • We’re All Going to the World’s Fair (2021)
    • Stranger by the Lake (2013)
    • Under the Silver Lake (2018)
    • The House of the Devil (2009)
    • Antichrist (2009)
    • Black Dynamite (2009)
    • Scott Pilgrim vs. the World (2010)
    • Pariah (2011)
    • Chillerama (2011)
    • Take Shelter (2011)
    • Attack the Block (2011)
    • John Dies at the End (2012)
    • Only God Forgives (2013)
    • Blue Ruin (2013)
    • Under the Skin (2013)
    • Locke (2013)
    • Coherence (2013)
    • Tangerine (2015)
    • Krisha (2015)
    • Swiss Army Man (2016)
    • Slack Bay (2016)
    • Popstar: Never Stop Stopping (2016)
    • God’s Own Country (2017)
    • Cats (2019)
    • The Vast of Night (2019)
    • Mandibles (2020)
    • Malignant (2021)
    • Mandy (2018)